Working with a partner for this project, namely Simon Bates, has been a much better experience than working for people, say on the Commission Project. Working for the band to create their music video was alright, but despite them asking us to do it, we had to do things how they wanted it, when they wanted it and whatever else they happened to want. We wanted narrative, they said no. We suggested locations, they said no. There was very little compromise with the commission as it is what they wanted us to make. The only time we could argue was when i refused to film them playing with no clothes on because i'd rather get a different commission.Working with Simon, however, we got an equal say in what the video came out like. We made some suggestions, he said what he thought would work better and we talked about the pros and cons of each different idea. If we thought something would look better one way and he wanted it done another, we could talk about it and discuss reasons. It was good to have this sort of communication with the person we were working with, as it allowed us to ensure we stayed on track of what he wanted. We may not have been working for Simon, but ultimately, he wants the video, so there would be no point making something completely the opposite of what he wants.
With the Capture project, we were working with Five Leaves Publishing to create book trailers for their Crime Express book series. This project, however, we had no contact with the company. They didn't tell us what they wanted, they didn't tell us what they though and we got no feedback on the finished pieces. This was useless, because we all set about creating book trailers, having no idea if they would be any good or any use to the company and they just seemed totally uniterested. It was good, as it allowed us to use our creativity to create what we thought would be an appropriate trailer for a book on our own instead of relying on people telling us what they want, but i prefer having contact with thepeople i am working for/with.

